Given how "Europa '51" is Roberto Rossellini's attempt to bring Francis of Assisi to neorealist life, it makes total sense that he would ask cinematographer Aldo Tonti to light and shoot Ingrid Bergman like a saint huh?
But not any saint, the film's light plan seems to be drawn straight out of C.T Dreyer's "The Passion of Joan of Arc".
Bergman, has rarely looked as tremulous and ethereal.
No comments:
Post a Comment