Wednesday, October 13, 2010

Tick-tock.


"If only there was a device of some kind to keep the time..."
- Blair (Meester) after Serena (Lively) tells her she's always late for school.

I've said it a million times before but I'll say it again: this woman is doing some of the best comedic work in TV.

The Girl Who Went to the Tattoo Parlor.


The first images of David Fincher's version of The Girl With the Dragon Tattoo have hit the web and I'm already getting worried.
The picture above for example in which we see Lisbeth Salander inside what appears to be a tattoo parlor is already going against one of the things I loved the most about the Swedish film trilogy (and you know I loved it!).
I won't go into details but let's say it's already proving that Hollywood seriously think audiences have to have everything digested beforehand...


On a different note Mara does seem slightly interesting in costume and makeup.
Although I believe Noomi Rapace gave the best female performance I've seen so far in 2010, I'm starting to get quite curious about where Mara will take it.
I'll start reading the first book soon and rewatch the trilogy before the year is over. I guess this won't be the last time you hear about Lisbeth here...

Tuesday, October 12, 2010

The Expendables **


Director: Sylvester Stallone
Cast: Sylvester Stallone, Jason Statham, Jet Li, Randy Couture
Dolph Lundgren, Terry Crews, Eric Roberts, Mickey Rourke
Steve Austin, David Zayas, Arnold Schwarzenegger, Bruce Willis

It's a who's who of the most famous action stars of the past three decades in The Expendables, a movie so peculiar that you know no coherent plot is necessary to make it work.
Sly plays Barney Ross, the leader of a mercenary team that includes the characters played by Li, Statham, Lundgren and Crews. No character description could make justice to the stereotypes each of them are playing but this is supposed to be part of the fun.
The Expendables, as they name themselves, are hired by a mysterious man (Willis) to overthrow the dictator (Zavas) of the fictitious island of Vilena. Without even knowing who they're actually working for, but with the promise of fresh victims to decapitate, mutilate and several other CGI verbs, the team takes on the mission.
From the moment of its conception it was obvious that this movie wasn't meant for everyone, after all even its title makes a mockery out of the entire thing to declare this isn't the kind of movie that will rack up awards or change the face of acting (although Rourke does display some serious acting that somehow feels funny in the context, after all his character is named Tool...)
However what might disappoint some is the fact that for all the trivia, references and plain tackiness that surrounds it, the movie isn't really that much fun.
The dialogues, as terrible as they are, could've been at least quotable. The action sequences, as demented and gratuitous as they are, could've at least tried to allow us to see what was going on (especially when they had acrobats like Statham and Li at their service).
The film takes itself so seriously that it forgets that we are living in an era where postmodernist riffs on B-movies are sometimes considered works of genius (see everything Quentin Tarantino touches) and instead of trying to deliver this, The Expendables settles for being another bad movie like the ones these actors are used to making.
Think of it as an Ocean's Eleven with more face lifts, steroids and no real sense of humor (except for Statham who single handedly uplifts every scene he's in). There's a scene in a church that should've been iconic but results awkward and feels strangely forced.
When it comes down to basics The Expendables isn't bad enough to be good, clever enough to be subversive or even bad enough to be plain bad, in the end it's just what it is.

Monday, October 11, 2010

While Watching "Wall Street"...


I noticed that Gordon Gekko (Michael Douglas) shares a birthday with my brother.
Not sure if I see the Taurus in Gekko or the Gekko in my brother though...

Anyway, happy future birthday to my brother and how about you guys, share your birthday with someone famous? (Real or fictitious counts)

Sunday, October 10, 2010

Nowhere Boy **½


Director: Sam Taylor-Wood
Cast: Aaron Johnson, Thomas Brodie Sangster
Kristin Scott Thomas, Anne-Marie Duff, David Morrissey, Sam Bell

Every biopic begins with one question: will people, who have no interest in the famous character, want to see this? In the case of Nowhere Boy, assuming there are people out there who have no idea who John Lennon was, what will draw them to a film about his teenage years?
Why make a movie about someone before they were famous instead of concentrating on the dirt and juiciness that fame brought them?
This film concentrates on Lennon's (Johnson) relationship with two women: his estranged mother Julia (Duff) and his strict Aunt Mimi (Thomas). Most of the film has the rebellious John trying to understand why his mom abandoned him and then succumbing to her charm as he begins to resent Mimi's parenting skills.
We might not come to understand much about Lennon by examining this strange love triangle but we are rewarded with a strong, if sometimes too facile, melodrama in which the actors get to shine.
Johnson is a delight as the wide eyed John. We can assume that he's playing Lennon as a combination of Elvis, James Dean and the actual John Lennon which is why his performance is full of mannerisms that somehow feel authentic (he's a performer building his future image). Even when the film takes him towards typical genre twists, he does his best to keep John completely unaware of who he'll become.
This is what gives the movie its best quality. Out of the things it gets wrong, it gets something quite right and it's the way in which it approaches the biopic and filters it through the use of the domestic drama genre.
Therefore what we see is not a movie specifically about how Lennon became one of the most iconic figures in music history but an intriguing family portrait.
Duff is full of energy as Julia and she gives her character a strange eroticism that sometimes makes her seem incestuous. The way she devours John when she's with him gives us glimpses of guilt and some serious Oedipal issues that the director doesn't commit to exploring thoroughly.
Then there's the astonishing Kristin Scott Thomas who practically owns the film as Aunt Mimi. Those who are extremely familiar with the Lennon back story know that it was Mimi who raised him and became his only parent.
It's a delight to see what Thomas does with the role; she can go from cold and slightly sadistic to incredibly warm with a few gestures and gives Mimi a depth no other actor achieves in the movie.
Nowhere Boy suffers mostly from its episodic nature and the way in which its whole sense of lacking selfawareness makes it feel wandering and aimless from time to time.
Fans of The Beatles and John Lennon will enjoy the inner references (watching John draw a walrus puts a smile on your face instantly) but those with less affection towards the music icons will probably be confused by the film's inconsistencies.

Style Sunday.


I love when my favorite actresses come out with superb looks and this week I have two of 'em.
First is the lovely Jennifer Garner in a floral print Zac Posen with black shoes and leggings.
This is how you do simple elegance!


Next is the iconic Sarah Jessica Parker in Halston Heritage. This dress reminds me of something Carrie Bradshaw wore once but at the same time it takes me to somewhere back in time. What Ms. Parker is doing working with the label really is a rescue of pure American fashion.
I can't see where she takes the house next.

What do you think of these two gorgeous ladies?

Saturday, October 9, 2010

The Six Year Itch.


By now everyone has probably seen the first look of Michelle Williams as Marilyn Monroe for My Week With Marilyn.
It's obvious by now that Williams wants Oscar. If the movie is released next year she'll most surely be nominated in 2012, making it the sixth anniversary of her first nomination for Brokeback Mountain.
Unlike half the world I am not yet convinced by Ms. Williams talents and for the moment am quite skeptical about her performance in this film. She just lacks the Monroe spark! I see that picture for example and think more of an art installation about "the shallowness of Hollywood" than a "yowza".
And that's what Marilyn always makes me feel. Williams aced the look but she seems to be more appropriate for a Dolce & Gabbana ad than a movie.
Speaking of D&G was Scarlett Johansson to busy baking for Ryan Reynolds that she missed out on this movie? Now that would've gotten me gasping for air almost immediately.
You know what made me real curious though, Kenneth Branagh and Julia Ormond as Larry and Vivien! Catherine Zeta-Jones had been cast to play her originally and as much as I dislike Mrs. Douglas sometimes she would've been perfect for this, more about that story here.